Subject
Name the main person, animal, object, or imagined form. Add appearance details only when they affect the shot.
A useful video prompt is more than a mood board. Give one shot a clear subject, a readable setting, a controlled movement, a camera path, and a visual atmosphere—then remove any direction that competes with the main action.
Write these decisions in playback order. One dominant movement and one clear camera path usually communicate more than a stack of conflicting instructions.
MiniMax’s basic formula is designed for open exploration. The precise formula adds professional shot direction when the framing and visual finish matter.
Name the main person, animal, object, or imagined form. Add appearance details only when they affect the shot.
Place the subject in a concrete environment: a library, night street, studio, mountain valley, or stylized invented world.
Describe the action and how the scene evolves. Video needs a change over time, not a list of static visual tags.
Choose the framing and path: fixed, tracking, push, pull, pan, tilt, rise, fall, zoom, or a restrained combination.
Set lighting, palette, texture, realism, weather, lens feeling, and emotional tone without overwhelming the action.
State where the shot should settle: a close expression, a wide reveal, a completed turn, or a still product frame.
Basic: subject + scene + movement/change. Precise: subject + scene + movement/change + camera movement + aesthetic atmosphere.
Text-to-video must establish the whole visual world. Image-to-video can spend more of the prompt on motion because the first frame already defines subject and style.
Use when the model must invent the subject, environment, and opening composition from text.
[Subject and defining appearance] in [specific scene and time]. [Primary action or change]. [Camera command or natural-language camera path]. [Lighting, color, visual style, and atmosphere]. The shot ends on [final composition or emotional beat].Use when the uploaded first frame already establishes identity, composition, and the initial aesthetic.
The [main subject visible in the image] [performs one clear action]. [Environment or secondary elements change]. [Camera path] while preserving the subject’s defining appearance and the original visual style. End with [final pose or framing].Describe how the first controlled image evolves into the last rather than re-describing both frames in isolation.
Beginning from the first frame, [subject action and environmental transition]. [Camera movement and timing]. Preserve [identity, object, or style constraints] as the composition evolves naturally into the supplied final frame.Keep appearance references separate from the action, camera, and environment that should change.
The referenced character appears in [scene] wearing [relevant wardrobe]. They [single readable action] with [controlled expression]. [Camera path] reveals [important detail]. Keep facial identity consistent and finish on [final framing].Use the bracketed form for supported models when camera accuracy matters. Natural-language direction also works, but explicit commands provide a clearer control signal.
[Truck left][Truck right]Move the camera laterally while preserving its viewing direction.
[Pan left][Pan right]Rotate the camera left or right from a relatively fixed position.
[Push in][Pull out]Physically move toward or away from the subject to change spatial emphasis.
[Pedestal up][Pedestal down]Raise or lower the camera without tilting its viewing direction.
[Tilt up][Tilt down]Rotate the view upward or downward from a relatively fixed position.
[Zoom in][Zoom out]Change apparent focal length rather than physically traveling through the scene.
[Shake]Introduce deliberate camera instability; use sparingly so subject motion remains readable.
[Tracking shot]Move with the subject to preserve their position while the environment changes.
[Static shot]Hold the camera steady and let performance or environmental motion carry the clip.
Commands are most useful when they clarify the shot’s order and priority.
Commands inside one bracket group act together, for example [Pan left,Pedestal up]. More than three is not recommended.
Write the action in order: the subject enters [Tracking shot], pauses, then the camera reveals the face [Push in].
MiniMax’s prompt guide recommends a compact movement window to reduce failures from overly complex camera direction.
The API defaults prompt_optimizer to true. Disable it when the precise command sequence should be preserved.
These examples are newly written from the documented formula. Replace the subject and setting while preserving the hierarchy of direction.
One subject action, one camera path, and a final emotional beat.
A courier in a reflective jacket cycles through a rain-lit city intersection at night. Water sprays from the tires as neon reflections stretch across the road [Tracking shot]. The camera moves beside the bicycle, then gently closes on the courier’s focused expression [Push in]. Natural wet-surface reflections, cool blue light with restrained magenta accents, cinematic realism.Let the first frame own the product design while the prompt directs light and camera motion.
The watch remains centered as a narrow band of warm light travels across the brushed metal case. Fine mist moves slowly behind the product [Truck right]. Preserve the watch geometry and dark marble surface. End on a clean three-quarter product angle with the dial fully readable.Use a fixed camera when expression is more important than spectacle.
A stage actor sits alone at a dressing-room mirror after a performance. Their shoulders relax and a restrained smile appears as distant applause fades [Static shot]. Warm practical bulbs frame the reflection, soft film grain, natural skin texture, intimate and contemplative atmosphere.Put each camera command beside the moment it should control.
A red fox steps through a misty cedar forest at dawn [Tracking shot]. It stops beside a shallow stream and looks upward as sunbeams break through the canopy. The camera slowly rises to reveal the scale of the forest [Pedestal up]. Natural color, cool mist, soft golden light, calm documentary realism.Most weak prompts do not need more words. They need a clearer subject, action, or camera priority.
Replace “cinematic, beautiful, 4K, dramatic” with a subject performing one visible action inside a defined scene.
Choose one dominant movement. If a second is necessary, place it later in the prompt as a clear sequence.
Give the shot one job. Build a longer sequence from several generated clips rather than compressing a full scene into six seconds.
In image-to-video, spend prompt space on movement, change, camera behavior, and the features that must stay consistent.
Name the last beat so the action resolves: a close expression, a wide reveal, a still pose, or a completed transition.
When precise bracket order matters, test prompt_optimizer false and compare the result against the default optimized request.
Read the prompt once as a director and once as a timeline.
A viewer should know what to watch before the camera starts moving.
Name place, time, weather, or production context when it changes the visual result.
Describe an action, transformation, expression, or environmental event across time.
Use a documented command or a concise natural-language path, not both repeatedly.
Keep the look coherent and avoid mixing several unrelated aesthetics.
A clear last beat helps the model resolve motion instead of drifting into a random continuation.
Length is not the goal. Use enough detail to identify the subject, setting, movement, camera path, and atmosphere, then remove instructions that compete with the primary action.
Yes. Commands inside one bracket group act together, such as [Pan left,Pedestal up]. MiniMax recommends no more than three commands in one combined group.
Place each command beside the relevant action in playback order—for example, follow the subject [Tracking shot], then reveal an expression [Push in].
It defaults to true and can improve broad creative prompts. Set it to false when you want the API to preserve exact wording or a deliberate camera-command sequence.
The first frame already establishes subject, composition, and style. Focus the prompt on motion, camera behavior, environmental change, and the features that must remain consistent.
Start with the basic formula, add one useful camera decision, and compare the result before increasing complexity.